Divlje cvijeće (2022)

My father only used a camera once in his life. Thirty years later, he asked me to digitise the material he had filmed. I was wondering what he remembers. Created from an impulse to rethink and rewatch personal archive footage, the film explores memory and its relation to documentation and non-institutional archive practices. Connecting politics with intimate spaces, the documentary questions both the influence of war on private archives and the role of gardens as places of new begginings.