Compliance (1970)

COMPLIANCE is a poetic examination of how trauma reverberates through the years. A voice speaks, sometimes sings, sometimes fails to say. It is trying to address the points at which various confusions meet and link, in an articulated chain or a ripple. When a discussion of trauma isn’t centred on its origin, the aftermath can play out. Here, the water facilitates a looking across time, mirrors and windows, as well as gaps and blank spots. A sort of portal, upon which bodily evidence materialises. The voice is sense-making, it maps and unpicks, it looks to teenagers, to suburbia, to middle England, to queer futures, to healing. COMPLIANCE exists both as a kind of haunting, and as a means of dealing with being haunted.