Morgen doen we het beter (2024)

After the relationship with her girlfriend turns sour, Jona moves back in with her mother Mirjam. Their loving relationship is occasionally plagued by miscommunication and when Mirjam is secretive about her daughter's queer identity, the tension mounts. In Morgen doen we het beter, filmmaker Jottum Kok proposes a vision of generational conflict that can be overcome.